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一 | Hrishikesh Mukherjee started his career in the film world as an editor. He was editor and assistant director to another Bengali great, Bimal Roy, and edited Roy’s films like Do Bigha Zamin (1953), Devdas (1955) and Madhumati (1958). He’s also edited films like Gunga Jumna (1961) and Coolie (1983), among others. Malayalam language films like Chemmeen (1965) and Nellu (1974) have also been edited by him. He branched out as an independent director with the episodic film Musafir (1957). Commercial success followed with films like Anari (1959) and Asli Naqli (1961). But it was with Anupama (1964) which depicted the filial bond between a father and a daughter, that he began to be counted as a director who could successfully marry art and commercial cinema. He went on to make seminal films like Aashirwad (1968), Satyakam (1969), Guddi (1971), Anand (1971), Bawarchi (1972), Abhimaan (1973), Namak Haraam (1973), Mili (1975), Chupke Chupke (1975), Gol Maal (1979), Khubsoorat (1980) and many more. His films were set in middle-class India and were populated with characters who battled emotional crises. The masses were able to relate to his heart-touching stories and characters and that’s why his films are fondly watched even today. Here’s taking a look at some of his best films as a director over the years. In This Article Anupama (1966)Aashirwad (1968)Satyakam (1969)Anand (1971)Guddi (1971)Bawarchi (1972)Namak Haram (1973)Abhimaan (1973)Mili (1975)Chupke Chupke (1975) Khubsoorat (1980)Anupama (1966) Cast: Dharmendra, Sharmila Tagore, Tarun Bose Mohan Sharma (Tarun Bose), a successful businessman, is happily married to Aruna (Surekha Pandit), who unfortunately dies while giving birth to their daughter. Distraught, Mohan Sharma becomes an alcoholic and can’t bear to see his daughter's face. Uma (Sharmila Tagore) is brought up by servants and while she’s beautiful and intelligent, she’s highly introverted and in her heart blames herself for her mother’s death. She begins to love Ashok (Dharmendra) but agrees to marry another man when she learns her father doesn’t like him. Love, however, has changed her and noticing the change, her father finally comes to his senses and lets her lead her own life. Aashirwad (1968) Cast: Ashok Kumar, Sanjeev Kumar, Sumita Sanyal Jogi Thakur (Ashok Kumar) leaves home when he finds out that his wife had ordered the houses of the poor be razed. Later, he kills a man who was trying to rape a girl. He gives himself up and is given a life sentence. Some years later, he’s shown to be friends with the prison doctor (Sanjeev Kumar. He’s happy to learn that his daughter is to be married to the doctor but hides his identity when he comes to know she hates criminals. He’s released on the day of her wedding, and watches it from afar, giving her his final blessings before succumbing to a heart attack. Ashok Kumar was praised for his sublime acting and won both the National Award and the Filmfare Award for his performance. Satyakam (1969) Cast: Dharmendra, Sharmila Tagore The film revolves around Satyapriya (Dharmendra) and his experiments with absolute truth. He fails to save Sharmila Tagore’s character from being raped by his employer and is a fit of guilt, marries her. And this guilt never leaves him but goads him to pursue truth at any cost -- be it the loss of employment, property or even life. Tears fly when Sharmila accepts her dead husband’s harsh way of life and tells her son that he can’t light his father’s pyre as he biologically wasn’t sired by him. Yes, truth has prevailed -- but can the child handle the truth? Anand (1971) Cast: Rajesh Khanna, Amitabh Bachchan Anand was a paean about friendship, about facing life stoically and laughing even at death’s threshold. The film was dedicated to Raj Kapoor and Hrishida allegedly wrote the film as a testimony to his friendship with Kapoor. Rajesh Khanna breezed through the title role of an extroverted cancer patient who faces the terminal stage of his disease with laughter on his face and sees death as another adventure. He lives several lifetimes in his last few months and teaches others, especially his caring doctor Bhaskar Bannerjee aka Babumoshoi, to loosen up and enjoy life more. Bachchan's reserved, restrained performance was the perfect foil to Khanna’s exuberance. The film doesn’t fail to put tear faucets into overdrive with every rerun. Guddi (1971) Cast: Dharmendra, Jaya Bhaduri Though she has acted in Satyajit Ray’s Mahanagar (1963) in a supporting role, Guddi is Jaya Bhaduri’s debut film as far as Hindi cinema is concerned. She played a schoolgirl obsessed with the actor, Dharmendra, in the film. She’s so much into him that she even refuses to marry the man intended for her, saying she can’t love another as she’s totally in love with the actor. Her uncle (Utpal Dutt) meets with Dharmendra and asks her to help out in the situation. The actor has to play out a different role for the girl to realise the difference between the reel and real life. It was a power-packed performance by the youngsters and she came to rule the hearts and minds of the audience as the good girl. Bawarchi (1972) Cast: Rajesh Khanna, Jaya Badhuri, Asrani, A.K. Hangal, Usha Kiran and Durga Khote The film revolves around the dynamics of the dysfunctional Sharma family, comprising Daduji (Harindranath Chattopadhyay), his sons Ramnath Sharma (AK Hangal) and Kashi (Kali Bannerjee), their respective wives Seeta Sharma (Durga Khote) and Shobha Sharma (Usha Kiran), another son Vishwanath Sharma (Asrani), and granddaughters Meeta (Manisha) and Krishna (Jaya Bhaduri). Servants tend to run away from their family every six months because the members are always quarrelling. Raghu (Rajesh Khanna) their latest cook soon starts noticing their quirks and starts placating them one by one, winning their trust in the process. There’s harmony in the house and the brothers start interacting with each other. Raghu turns out to be a Good Samaritan in disguise whose mission in life is to bring peace and happiness to families who are in dire need of it. Namak Haram (1973) Cast: Rajesh Khanna, Rekha, Amitabh Bachchan This film was the beginning of the end of Rajesh Khanna’s reign. He played a man who infiltrates the trade union in order to avenge the humiliation faced by his industrialist pal and then starts respecting the workers’ rights and their fight against the capitalist culture. Well, the best friend’s role was played by Amitabh Bachchan. According to movie lore, Khanna was offered this role first but he declined it as he saw more merit in the role of a suffering martyr. The audience thought otherwise and was more taken in by Bachchan’s brooding persona. Bachchan had another hit the same year, the massive Zanjeer, in which he played the angry young cop to perfection and effectively took over the superstar’s mantle. Abhimaan (1973) Cast: Amitabh Bachchan, Jaya Bachchan, Asrani, Bindu, A.K. Hangal Subir (Amitabh Bachchan) a renowned singer is a darling of the masses and much in demand. Once, while visiting his aunt in a remote village, he listens to Uma (Jaya Bachchan) singing and falls in love with her. They get married and initially, their days pass in blissful serenity. Trouble starts when Subir asks her to take up singing professionally. She reluctantly agrees and soon her popularity soars. She’s more in demand than him and he can’t digest this fact. Differences crop up between them. He leaves her and she suffers a miscarriage. She becomes hugely depressed because of it. The only way out is through music. Amitabh and Jaya complete each other in the film and perhaps have given the finest performance as a pair in the film. Mili (1975) Cast: Amitabh Bachchan, Jaya Bachchan and Ashok Kumar Mili (Jaya Bachchan) has pernicious anaemia, a disease which was considered incurable back then. She’s the apple of everyone’s eye in her building, especially of children, with whom she plays boisterously despite the age difference. A new tenant Shekhar (Amitabh Bachchan) comes to live in their building and their paths cross. Shekhar is a man running from his past and wants to drown his sorrow in alcohol. Once, in a fit of depression, he tries to commit suicide and is saved by Mili and her father (Ashok Kumar). Mili and Shekhar come closer and sort of fall in love with each other. He marries her and takes her to Switzerland in search of a cure. The film ends on an open note. We don’t know what happens further in Mili and Shekhar’s lives and can only hope for a positive outcome. Chupke Chupke (1975) Cast: Dharmendra, Amitabh Bachchan, Sharmila Tagore, Jaya Bachchan The film was a remake of the Bengali film Chhadmabeshi (1971), starring Uttam Kumar and Madhabi Mukherjee. It centred around the prank played by Dr Parimal (Dharmendra), on his brother-in-law Raghav Sharma (Om Prakash). Parimal comes to Mumbai posing as a driver from Allahabad and is instantly hired. Sometimes later, Sulekha (Sharmila Tagore), too lands up at her sister’s place. The growing intimacy between the driver and Sulekha is frowned upon by all. Catastrophe strikes when they elope and Sukumar (Amitabh Bachchan) posing as Parimal, comes to Mumbai. He is made to stay in a mutual friend Prashant’s (Asrani) house and love blossoms between Sukumar and Prashant’s sister-in-law Vasudha (Jaya), leading to further confusion. Khubsoorat (1980) Cast: Rekha, Rakesh Roshan, Ashok Kumar, Dina Pathak and Shashikala When Manju (Rekha) comes to stay for some time with elder sister Anju (Aradhana) after the latter’s marriage, she’s bewildered to find that it resembles an army barrack more and an actual house less. The house is run in clockwork precision by Anju's strict mother-in-law Nirmala Gupta (Dina Pathak). Dwarka Prasad (Ashok Kumar), her husband, likes gardening, youngest Jagan (Ranjit Chowdhry) loves rock music, while the elder sons like to play cards. The middle son Inder (Rakesh Roshan) is studying to be a doctor and starts liking Manju. Everyone follows their hobbies but in secret. Manju brings a revolution of sorts in the house by making sure everyone enjoys themselves in Nirmala’s absence. It so happens that Dwarka Prasad has a heart attack and it’s Manju who saves his life by keeping a sane head at the time of calamity. Rekha was at her finest in the film and carried it on her shoulders.。虽然离真正过年还有一段时间，但各个城市、商场都已经开始布置下一年的生肖吉祥物。在往年看来仪式感十足的步骤，最近对于很多人来说却是一场噩梦，因为我们即将迎来——蛇年。我知道看到这里，很多怕蛇人已经想要立刻关掉页面、防止眼睛中毒了。但别担心，本文已经通过了编辑部极度怕蛇人叶橙子的权威检验，保证文中不会出现真蛇，稍微可能引发不适的图都做了滑动效果。前两天关晓彤参加微博之夜的直播，可以说生动地展示了一位对蛇有着生理性恐惧的年轻人，是如何被蛇年逼疯的。在交换新年礼物的欢节，关晓彤抽到了一个Jellycat的蛇玩偶。已经在娱乐圈摸爬滚打了23年的国民闺女，在镜头前经历了全面的表情失控。皱起的眉头、偷偷翘起的手指，暗示着她作为95后小花的最后一丝体面。

二 | 因为节目是直播，关晓彤不好意思直接表现出嫌弃。就这么手足无措地拎着蛇cue流程，看也不敢看、碰又不敢碰。屏幕对面的多少怕蛇人，立刻感同身受。“蛇年对于我来说就是一场大劫，无时无刻不在担心出门转角遇到蛇。”月初短视频平台上曾流传一种说法，说十二生肖里本来没有蛇。我深刻怀疑这完全是怕蛇人的阴谋，就为了不想最近在街头巷尾被蛇元素吓一跳。去年遍布各大商场的丑龙装饰，最多只是对人类审美的荼毒。但蛇装饰——无论它们是搞笑还是唯美——对怕蛇人来说，都意味着直击灵魂的震颤。对于怕蛇人来说，最近的生活就像是误入规则怪谈。规则一，绝不能踏进宜家半步。不然就会看到成箱的逼真蟒蛇玩偶，摆在大厅最显眼的位置。事实上，建议最近在进入大型超市的时候，也尽量把眼睛闭上或者看向天花板。因为很容易在一堆醒狮、对联之类的红火年货中，转角遇到自己命定的博格特。@zzzzzzzzzzzzzzzz规则二，买东西尽量网购。

三 | 如果非要到线下逛街，只去那些懒得搞生肖装饰的老式百货商店。很多时髦点的商场去年靠着大型龙装饰火成网红打卡地，今年也想如法炮制。只不过在普通人眼中还算精致的蛇雕塑，对怕蛇人来说宛如耶梦加得重生、噩梦成真。@小优游玩记前两天全网都在嘲笑昆明某商场的蛇年装饰。画着腮红的蛇脸上露出一种如痴如醉的表情，被吐槽是“鬼迷日眼”“仿佛吃了菌子”。但怕蛇的昆明人已经无心加入这场玩梗了，只需瞟一眼那抽象的尖牙和红色信子，心里就暗暗发誓最近绝对不路过这个路口。南京德基广场的蛇雕塑是马卡龙色的，还配这忽闪忽闪的长睫毛和蝴蝶结尾巴。@Cawaii圈圈“内啥，我我承认它很漂亮，但还是让它走开吧”。规则三，最近看到品牌出的什么“新年联名”“新年特供”，一定要提高警惕。因为很可能这个“联名”，指得就是跟蛇联名。很多人热衷于收藏各种品牌的生肖珍藏款产品，十二生肖已经集齐七八个。收集事业卒于新款包装上的蛇做得太逼真。

四 | @异乡异客沪上阿姨看似考虑了怕蛇人的需求，蛇年推出的新品是“蛇果奶绿”。结果偏偏设计了一个“蛇皮杯”，甚至贴心做出了鳞片的花纹和纹理触感。@悄悄发个动态有人称赞“质感摸上去仿佛在摸一款上好的皮包”，但对于怕蛇人来说，这只能算是一款鸡皮疙瘩生成器。“打开袋子直接被吓到心跳加速，遮起来！立刻遮起来！”@菲菲不少网友说，怕蛇的人蛇年是真省钱了，啥限定都买不下手。但自己不买，不代表别人不会买。最近上班跟同事谈工作的时候都要小心翼翼。

五 | 生怕对方换了新的屏保或者手机壳，定睛一看上面画条蛇。@卢靖珊大学生发现隔壁寝室贴了福字，本来还在感慨同学真有仪式感。结果仔细一看头皮发麻，还不敢跟别人说怕显得自己矫情。

六 | @猫仔起床惹至于永远能跟上每一股潮流的美甲行业，最近更像是真·“捅了蛇窝”。“闺蜜给我看她新做的蛇年美甲时，我的表情就跟关晓彤一样一样的。

七 | ”@Twin-小双眼看着临近新年，网红们也开始蹭起了生肖的热度。对于怕蛇人来说，这相当于进一步增大了生活中蛇元素的密度。

八 | 社交平台热搜上刷到“蛇年妆容”，还以为最多是教你如何画细长眼线、精致鼻影。结果点开一看，美妆博主头上的蛇形头饰比这些年在古装剧里的见过的还多。@六金yE想要给家里增添节日气氛，点开”新年必学剪窗花视频”，结果剪出来一个美杜莎的头——不是，你这蛇吐信子的细节就非得要吗！@唛大叔或许是因为复制起来太过容易，蛇形元素会在任何地方出现。

九 | 看个美食教程，也有可能遭遇突然惊吓。

十 | 只见大厨手起刀落，几下飞快的操作之后，一根普普通通的黄瓜就立刻变得可疑了起来。

十一 | @长沙夜宵锋哥看这翠绿的颜色、柔软的“身段”，以及头部点缀得那颗小芝麻……“不好！是蛇！我终于明白家里的猫看到黄瓜为什么会瞬间弹跳起飞了！”在十二生肖的形象中，怕老鼠、怕鸡、怕羊、怕狗的人并不在少数。但大家怕的基本上都是真动物，艺术加工过的不算。

十二 | 很多人在垃圾箱后发现真老鼠会失声尖叫，在迪士尼见到米奇人偶却会疯狂拍照。

十三 | 但怕蛇的人不一样——怕得真情实感、怕得各有千秋。

十四 | 秦岚在综艺里被要求摸蛇。

十五 | 有人怕三角形的蛇头，以及它竖起来的瞳孔，让人联想到童年神剧里阴森森的蛇精反派。

十六 | 有人怕冰凉的鳞片，看一眼就想起小时候在乡下老家玩耍，被蛇爬过脚面时滑腻腻的触感。也有人讨厌看到蛇在草地上快速蜿蜒爬行的样子，感觉下一秒就会窜到自己身上。再严重一点的，甚至连连看到蛇这个字都会感到浑身难受。说实在的，作为一个不怕蛇的人，我在判断身边怕蛇人的心理阈值时，经常会出现纰漏。

十七 | 比如前两天我给叶橙子转发了一张搞笑动漫风的蛇表情包，本以为已经够无害了，她却直接从工位上蹦了起来。而从各个商场、商家出的蛇年吉祥物设计来看，也可以看出商家们已经很努力在削减蛇年对怕蛇人的伤害——因为摸不准尺度在哪儿，那就干脆进行天马行空的艺术创作，尽量让蛇们少一点蛇样。去年过年，上海豫园灯会在一众网红打卡地中大出风头。

十八 | 当时他们做的龙灯是这样的：胡须、鳞片细致可见，整个姿态栩栩如生。

十九 | 但今年的蛇灯，是这个风格——“我们是做不出来像的吗？我们是怕太像了吓着你！”湖南株洲百货去年的龙装饰，被当地网友吐槽毫无霸气可言。眯缝眼、呲牙傻乐，圆滚滚的身体“不像龙倒像条蛇”。@株洲百货但看了今年的装饰就明白，株洲百货只是单纯热爱给动物变形。看这有棱有角的身形，看这莫名其妙的圆形花纹，谁说贪食蛇就不能算蛇。为了在“让人能看出是蛇”和“又不能太像蛇”两个需求之间找到平衡，设计师们可以说是绞尽脑汁。已知龙和蛇的身形很像，为什么很多人怕蛇却不怕龙？答：或许是因为蛇头可怕，遮起来就行了。于是今年，很多商场里的蛇生肖装饰都被加上了头套。

| @易只烊重庆街头的这条蛇，不仅有着圆滚滚的脸蛋，甚至还带上了财神的帽子。

| 用年轻人大家对金钱的渴望，压抑蛇形象本身带来的的负面情绪，这波堪称是实用主义的胜利。（bushi@Hi 沙坪坝为了把可怕程度降到最低，不少蛇年吉祥物的设计思路，都在往可爱的方向打造。比如山东菏泽某商场里这只，除了细长的身子还能看出点蛇样来，已经拿掉了绝大部分蛇的特征。

| @心动曹州鳞片换成了毛茸茸质感，竖直瞳孔换成了大眼珠子，就连配色都是嫩嫩的马卡龙色系。为了让蛇不像蛇，有时候设计师们也会用力过猛。比如一不小心，在蛇的身体上按了个忧郁青蛙的头。

| 看花纹明明是写实风，但偏偏睁着两只搞笑大眼睛对你say“嘶”。让你不知道是该笑还是该扭头就跑。@momo去年在年轻人中间爆火的IP“小狗蛇点点”，最近成了很多网红品牌争相想要联名的对象。因为很难再找到另一条让人觉得很可爱的蛇。

| “第一个想到把狗跟蛇结合起来的人，真是天才！”@多吃螃蟹“变可爱”的思路虽然削减了蛇的可怕，但过于萌的外观毕竟不适合高端品牌。

| 于是另一个路线横空出世，那就是抽象派。某个高端商场没有常规地在中庭摆放大型蛇雕塑，而是在电梯扶手，营造一种大蛇盘绕的效果。但秒就秒在它若隐若现。说是蛇、是龙，甚至是鲤鱼都行，甚至连模拟鳞片的花纹，仔细一看都更像是珠宝切割过的切面。

| Prada的蛇年宣传片甚至根本没有蛇本人出现，而是把人群的剪影排成了蜿蜒的蛇形。结果被吐槽像节假日大家在景区排队上厕所。刚排到马龙。

| 奢侈品牌BV的蛇年新品，则是一个绿色的单肩包，用编制工艺稍稍模拟一下蛇的鳞片质感。

| 在包带一段再缝个小小的红布条，就算应上蛇年的这个景了。其中一个例外，是辣条品牌卫龙。

| 虽然本身的定位是平民零食，但在设计上也凑了“抽象派”的热闹。

| 而它所谓的“蛇年设计元素”是什么呢？请看PPT。没错，只要想象力够丰富，蛇皮袋也可以是蛇。相比于龙年的大张旗鼓、创意满满，可以看出对待“蛇”这个生肖吉祥物，所有设计师们都很收敛。火不火还在其次，总之尽量先别吓到人。前两天疯狂动物城发布新春海报，对联里打出了“灵蛇纳福”的字样。但堂堂新角色、灵蛇本蛇，只能委屈地躲在海报的一侧，再加上身形过于细长，不认真看可能都不会注意到。也不排除设计师自己本来就是一个怕蛇人士。自从进入了春节倒计时，网上经常有从事设计工作的网友在哀嚎：“找有关蛇的素材时从来不忘加上‘手绘’‘可爱’之类的关键词，但随时担心会出来一个写实风，已经想直接跳过蛇年过马年了。”如果说还能有什么战胜人们对蛇的恐惧，恐怕只有金钱的力量。比如我为了写这篇文章广泛询问了身边怕蛇的朋友，到底什么样的蛇年吉祥物才能不让他们感到害怕。最后发现达成一致的答案有两个。一是宝格丽。